Monday, June 30, 2008

"Stuff Happens": US "Torah rescue" from Iraq?

Rabbi Menachem Youlus removes dirt from a Torah that had been buried in a Polish cemetery to keep it from the Nazis. Brendan Hoffman for the New York Times

On the Iraq Crisis discussion list yesterday, Peter Tompa drew attention to an article from the Jewish Bugle discussing how a Torah scroll from Mosul, Iraq came to be in the Temple Isaiah synagogue in Fulton, Maryland. He wrote: the US military was involved in the rescue operation described in this article so I do not believe there can be any claim the material was "smuggled."

What the article claims is simply astounding, not because of the described act, but the implications of the dismissive way it is presented to its audience in the US. The article raises but supplies no answer to some very disturbing questions, perhaps airing them here might provide some satisfactory answers.

We read:

In the battle-torn Iraqi city of Mosul, with heavy fighting all around, members of the Army's 82nd Airborne unit ducked into an abandoned building during a lull in fighting in March 2007. [...] they appeared to be in a synagogue. [...] the soldiers found something hidden below the floor. Wrapped in tissue-like paper was a Torah scroll, dating back 400 years, that had apparently been left behind by the congregation. [...] The Army knew whom to call: Rabbi Menachem Youlus, the scribe-turned-Torah-rescuer who runs the Washington, D.C.-based Save A Torah foundation. [...] After getting the Torah out of Iraq, Youlus also knew whom to call: Rabbi Mark Panoff, spiritual leader of Fulton's Temple Isaiah, who had expressed interest in acquiring a special Torah for the congregation about a year ago. [...] Youlus gave him three days to accept the offer. Panoff raced to share the story with the congregation's board members, who were quickly able to raise the $20,000 needed for the purchase [...].He learned of this Torah via e-mail, but "getting it out wasn't so easy," he said, explaining he had to disassemble its 60 panels to facilitate taking it out of the country.

Was this an ownerless building the American army were in when they found and took the scroll? Or was it one that the American army had bought from the owner together with its contents before taking the scroll? The building is described as "abandoned" but the scroll "hidden" and "left behind". I suspect however the building in fact did have an owner, bricks and mortar generally do - and even if the US army killed them or chased them away, the property and everything in it (including 20 000 dollar antique scrolls) belongs not to scavengers in US uniform but to their heirs which can be established by due process. The newspaper says nothing about the process of establishing ownership. Just that the US soldiers searched around and found something they fancied which they took, and then later was sold by a third party they emailed in the US for 20 000 dollars. "Stuff happens", obviously.

I don't know what the soldiers of 82nd Airborne call it, but regardless of value or whether it was hidden or lying in plain view, appropriating something without the explicit permission of the owner is considered in most countries thieving. Its what is the essence of "looting" about which there is all this discussion in the case of Iraq. But then as we saw in the case of US newspaper reports about Hurricane Katrina, it sometimes depends what colour skin somebody has whether they are a "looter" or a "forager". The fact that these guys wore US uniforms apparently makes them salvors in the eyes of the intended readership of the discussed article. I am pretty sure not all readers of this will see them in that light.

Ownership rights aside, as far as I know, the 2003 invasion did not bring about in the end a rescinding of the existing Iraqi cultural property laws (even though this is what the US antique and antiquity dealers and collectors in the American Council for Cultural Policy [sic] was apparently proposing). According to the Iraqi law of antiquities # 50 for the year of 2002, the finder of a 400-year old artefact hidden below the floor of a building has an obligation to turn it in to be taken care by the State Board of Antiquities and Heritage, not "take it out of the country" - and that is whether they wear the uniform of the US armed forces or local native garb.

Surely the 82nd Airborne was in Mosul in March 2007 to uphold Iraqi law and order, not disregard it, or enter into some deal with a Washington bookseller specialising in finding clients for old scrolls. To help preserve property, not steal it. And it does not matter if the artefact was new or old, Jewish, Sumerian, Assyrian, Kurdish, Roman or Islamic, the law is the law. The article cited suggests that in this case the law was broken.

Nota bene according to the article this was some time after March 2007. So well after Security Council 1483 of May 2003 (which makes no differentiation of cultural property from Iraqi territory on ethnic or religious grounds). Also well after the US' own "Emergency Protection for Iraqi Cultural Antiquities Act of 2004". It is not at all clear from this article how the object was exported and why.

Youlus the seller of the manuscript admits "getting it out wasn't so easy," explaining the scroll had to be disassembled into its 60 panels to facilitate taking it out of the country. Why on earth would there be a need to do that if the export was legal? That's the same Youlus the bookseller and "Indiana Jones of Rabbis", that apparently himself smuggles other old scrolls out of other countries "in ingenious fashion across hostile borders", like in one case reportedly wrapping them round his body and covering them with a trenchcoat to get them past border guards. Why "hostile"? Because removing items like this from the source country without an export licence is illegal. Calling them "bad" laws, or "restrictive" laws when they get in the way of one's own interests does not change that in the slightest. These laws have a purpose.

Youlus does not explain whether, given the current restrictions, he had any problems at US customs control getting the object taken with such difficulty out of Iraq into the US.

Once in the US and put back together again, the scroll was sold by the bookseller for 20000 dollars to a newish Jewish community in a Maryland town, so they can have something old to build their identity around (see below). But we have not learnt how Youlus had gained title to the object.

Perhaps the 82nd Airborne could be encouraged to give their version of this story; certainly from the news report before us they really do not come out of this very well. What else did soldiers of the 82nd Airborne find in the deserted buildings of Mosul once they'd chased the natives out? How much of that is now being bought and sold in the United States? Perhaps Rabbi Youlus can be induced to give his own side of the story, how he acquired ownership of this item and how and on the basis of what kind of documentation it was taken out of Iraq (and why). Also it would be useful to hear from The Isaiah temple in Fulton about what documentation accompanied the sale of cultural property which they know was exported from Iraq in the last few months and what steps they took before spending their congregation's money to acquire a desirable piece of cultural property to ascertain this was not stolen property. The report cited here raises and does nothing to answer a whole lot of disturbing questions.

The scroll from Mosul is currently kept in the synagogue in a new (25 year old) Reformed community in Fulton, Maryland. Its Rabbi said: "I think it adds an extra dimension and awareness that the Jewish people is very diverse, in many lands and different settings, and each setting had its own traditions". So in effect this item of newly-acquired cultural property from Iraq is now being used in the United States to give a newly-formed minority group a sense of "roots" and "belonging" to a wider community while being differentiated by possession of something "unique and precious". Is this not precisely what Chicago-based James Cuno ("Who owns Antiquity?") is currently accusing "nationalist" source countries of using cultural property for? He thinks it is reprehensible, and sees this as a reason why the laws controlling movement of cultural property across borders can be ignored by US collectors. He fails to admit though that this is precisely what the removed cultural material is being used for in the United States. Isn't this like the Katrina looters, its called "politicising" cultural property by US authors when its the foreigners that do it, but perfectly acceptable to them when the perpetrators are US citizens? Does calling a business deal a "foundation" with some higher aims claimed make artefact smuggling acceptable in US eyes?

Mosul was a cosmopolitan city for centuries, the Jewish community was an integral part of that multi-cultural society. Even more so today in the current turmoil following the 2003 invasion do the Iraqi people need tangible reminders of that. That scroll, like all other cultural property illegally removed since 1990 belongs in the place where it was made and used through the generations as an integral part of the cultural fabric of the region. It does not belong in Fulton in the United States. It should surely go back, it is not for the soldiers of the 82nd Airborne, still less bookseller Mr Youlus to decide.

Sphere: Related Content

Thursday, June 19, 2008

James Cuno: "There is not a credible museum in this country that has an object in it that it knows to have been stolen from someplace else."


On June 11, 2008, the "Here On Earth" series produced by Wisconsin Public Radio — featured Dr. James Cuno, director of the Chicago Art Institute and author of the book "Who Owns Antiquity?" and Dr. Donny George Youkhanna, former director of the Iraq National Museum in Baghdad and the former president of the Iraq State Board of Antiquities.and now a visiting professor at Stony Brook University.

The program — titled "Who Owns Antiquities?" — has been archived and is available here.

At one point in the conversation, Dr. George said: "I do agree with Mr. Cuno that for people to go to one place and see antiquities and cultural heritage of different people, of different parts of the world is a wonderful thing, because this is the role of museums. Museums are cultural and educational centers. But I don't agree with the way these museums get these antiquities. We know that a lot of museums in the western world, in the United States, do have collections that come from illicit digging, that are originally stolen from those countries. This is my argument always. These museums can have material in legal ways. This is different..."

Moderator: "And the legal ways would be...?"

Donny George: "...would be, for instance, having exhibitions ... arrangements between two museums to have an exhibition, for instance, for Sumerian material from the Iraq Museum with the Metropolitan Museum in New York. And then, with the collection of New York, for instance, or the Native Americans Museum in Washington to have a kind of collection to send to Baghdad so that the Iraqi people will see the wonderful work of art and heritage of the Native Americans in Baghdad. This can be achieved in legal ways and wonderful ways for both sides."

After the commercial break, James Cuno responded: "I do take exception to Professor George's statement that we know museums in this country have antiquities known to be stolen. I don't think that is a statement that can be backed up by facts. There is not a credible museum in this country that has an object in it that it knows to have been stolen from someplace else."

Moderator (interrupting): "But what about the whole dispute the Italians had with the Met ... um ... where the director ... I think it was Thomas Hoving, who paid..."

James Cuno (interrupting): "That's right. The Euphronios Krater. You'll remember the resolution of that was based on evidence. And that evidence was only determined within the last couple of years. When the evidence proved beyond a reasonable doubt that these objects had been removed inappropriately, perhaps illegally, from Italy, they were returned. Until that time, there was no such evidence to make that case. The evidence was only found in a warehouse of an art dealer, I believe in Switzerland, within the last couple of years."



Can it be true, as Dr. Cuno says, that: "There is not a credible museum in this country that has an object in it that it knows to have been stolen from someplace else." ?

Sphere: Related Content

Monday, June 16, 2008

A Long Legacy of Protecting Cultural Heritage

A couple of days ago I visited the AIA's Archaeology Watch resource page. I have visited the site several times before, but I have always glossed over the first little paragraph at the top of the page. This time, however, the little blurb about the Antiquities Act caught my eye. I was well aware that the AIA (Archaeological Institute of America), founded in 1879, was chartered by an Act of the U.S. Congress in 1906, but I had not realized until then that its charter coincided with President Theodore Roosevelt's passage of the Antiquities Act and the role the AIA played in it is development. This may not be news to anyone but me, but I founded it interesting for a couple of reasons.

The Antiquities Act was supported by the AIA and lawmakers in order to give the American president power to counter looters and 'pot hunters' from destroying Native American cultural heritage in the American West [a Wikipedia article on the Act is also available - caveat emptor].

The AIA has been actively involved in raising awareness on problem of pillage and advocating protective legislation now for over 100 years. The AIA is frequently targeted by dealers for its stance on cultural property issues. In light of this fact, I find it even more peculiar that several antiquities dealers attempt to characterize the AIA's position on the illicit trade in antiquities and looting as 1.) a recent development and 2.) a deliberate attempt to exclude "independent scholars" [i.e. dealers/collectors] from participating in academic discourse (for example, see my discussion at Numismatics and Archaeology: "'Dilettanti and Shopmen': Divergent Interests in Looting and Cultural Heritage Issues," 7 May 2008). Is this just one component of the tactics employed by profiteers, who attempt to portray their activities as scholarly in their public-relations battle with archaeologists and cultural preservation advocates? (cf. J.L. Hall, "The Fig and the Spade: Countering the Deceptions of Treasure Hunters," AIA Archaeology Watch. 15 Aug. 2007).

For a very long time there has been a clear difference between the interests of scholars and scientists and those who exploit our history for mere financial profit. The public should not be deceived. The AIA has a long legacy of supporting efforts to protect cultural heritage from destruction.

Sphere: Related Content

Sunday, June 15, 2008

Roger Atwood reviews "Who Owns Antiquity" by James Cuno

In Archaeology's Insider: Guardians of Antiquity? Roger Atwood, a SAFE Beacon Award Winner for his book Stealing History: Tomb Raiders, Smugglers and the Looting of the Ancient World shares his views on James Cuno's "Who Owns Antiquity," previously reviewed here by Lawrence Rothfield in James Cuno's Illogic.

Roger Atwood led the first SAFE Tours at the Metropolitan Museum of Art in New York and at the Museum of Fine Arts in Boston.

Sphere: Related Content

Saturday, June 14, 2008

UNESCO’s Cultural Heritage Laws Database

We would like to bring your attention to the UNESCO’s Cultural Heritage Laws Database, a thorough and well-organized compilation of all laws concerning cultural property within the member states of UNESCO. The database makes accessible to the general public full copies of all international conventions related to the protection of cultural heritage and contains contact information for national authorities that are responsible for the conservation of cultural heritage. It is an immensely important tool for anyone involved in the issues of cultural heritage and antiquities, allowing for quick and easy access to legal information concerning antiquities.

We are delighted that this work is available to researchers and anyone interested, and thank our Members Ricardo St. Hilaire, Emmeline Babb, and interns Avi Toltzis and Rebecca Davison for their contribution to our own attempt at this project which began a few years ago. With this new resource from UNESCO, we feel that our project is now complete.

Sphere: Related Content

Natural and cultural disaster in Burma

The cyclone which hit Burma on May 2nd 3rd, 2008, affected about 2.4 million people. Storm victims are still suffering in the aftermath of the natural disaster with little to no help arriving thanks to a government which has sealed off the country and prohibited the entry of international assistance. And the country’s ancient Buddhist monuments experience the same neglect by the military junta as its people do. In a country with a military dictatorship trampling on its people as much as on its historically valuable monuments, can it be possible to preserve cultural heritage?

One of the holiest sites for Southeast Asia's Buddhists, the 2,500-year-old Shwedagon Pagoda in the former capital Yangon, was badly damaged by the storm. Hundreds of gold-leaf panels were torn off the 98-meter high bell-shaped stupa and 1,000 precious stones fell off. But with the junta concentrating its relief work on the largest city, and not on the much worse affected Irrawaddy Delta area, life at this important pagoda quickly returned to normal without reports on damaged or stolen cultural objects from the Shwedagon Pagoda.

While the Irrawaddy Delta is completely devastated we cannot really tell if there are any archaeological or cultural sites damaged. Very little had been excavated so far, because this region has been considered “low priority for the Department of Archaeology”, according to Donald Stadtner, an art historian specializing in Burma. Large impressive monasteries, which we can find in other parts of the country, housing wood sculptures and manuscript chests, the only things of 'value', are few in the Delta.“And therefore," Stadtner emphasizes, "the little what is known about cultural heritage sites in this area are scores of 15th -16th century kiln sites. But its celadon ceramics are of poor quality compared to Thai ware. And when villagers have discovered kilns in the past, 99% of the material was heavily damaged.”

Burma has also no ancient sites inscribed in UNESCO’s World Heritage List. Not because they wouldn’t have any sites worth being recognized as such, but because they disqualified themselves from being included in it. Like with the international aid in the cyclone disaster the generals would not accept any foreign help and expertise for conserving their magnificent cultural heritage. The fanciful and unsystematic restorations of monuments carried out in the mid-nineties left international archaeologists in dismay. The calculated disregard of dying people in the delta region this May left the international community speechless, once again. One wonders how a culture can survive without its people, or without its history.
We don't know what the status of the cultural sites and artifacts are and hope that they are safe.

Sphere: Related Content

Friday, June 13, 2008

Harrison Ford and the AIA


Cross posted from Numsimatics and Archaeology: "Harrison Ford and the AIA" 13 June 2008.

Several weeks ago, I reported on the Archaeological Institute of America's (AIA) appointment of Harrison Ford to its Board of Directors (Numismatics and Archaeology: "'That Belongs in a Museum!'" 21 May 2008). Harrison Ford is popularly known for his role as the dashing, adventurous archaeologist, Henry "Indiana" Jones, Jr., in the Indiana Jones films. Since Harrison Ford's appointment to the AIA Board of Directors, there has been some controversy over the appointment (there are some links to these discussion in the comments section of my previous post).

SAFECORNER recently posted a reaction by Oscar Muscarella, a well-known scholar and advocate against the illicit trade in antiquities and an active AIA member ("'Indiana Jones is a Plunderer.' What do you Think?" 5 June 2008). SAFECORNER has asked for public comment on the controversy and has received a dozen comments so far.

In the AIA article announcing Ford's appointment to the Board, the AIA President, Brian Rose, stated: "Harrison Ford has played a significant role in stimulating the public's interest in archaeological exploration." Surely, this is an accurate statement and the films have cult status among many young archaeologists. As an undergraduate studying archaeology and classical studies, I was a member of my university's "Archaeology Club," which organized trips to local archaeological sites, "pot parties" (not what you are thinking - these consisted of purchasing cheap Wal-Mart ceramics, smashing them and then gluing them back together again), and other social gatherings. One of the most popular events were the regular Indiana Jones movie marathons. I recall several students in archaeology that I went to college with said that the Indiana Jones films were partly responsible for their desire to study archaeology. As archaeologists, we are fully aware of the differences in archaeological practice and ethics used by the fictional Indiana Jones and archaeologists working in the real world. But what about the general public?

The controversy does not seem to be so much a question of whether or not the Indiana Jones films will inspire someone to loot an archaeological site, but what message the AIA is sending by putting the actor behind Jones' character on its Board of Directors. The AIA has adopted a bold stance on archaeological ethics and has supported research on and legislative measures against the illicit trade in antiquities. Does the appointment of "Indiana Jones" to the AIA Board then exacerbate public perception that artifacts are there for the taking by anyone who comes across them? This seems to be the question at the heart of the controversy and is a question well worth asking. For example, when I tell people I am an archaeologist, I am always asked at least one of two questions, "So you're into dinosaurs?" or "Do you get to keep what you find?" Muscarella's concerns are justified.

I wonder, however, if it may be too early to assess the capacity in which Ford will work with the AIA. Indeed, the first line of the AIA article reads: "'Indiana Jones" shows his commitment to real archaeology.'" Ford himself stated, "Knowledge is power, and understanding the past can only help us in dealing with the present and the future." It has been reported that Harrison Ford has lent his star-power to advocacy against wildlife trafficking in conjunction with the U.S. Department of State and WildAid. Will Mr. Ford also use his celebrity status and his Indiana Jones stardom to help raise public awareness on the problem of plunder and the illicit antiquities trade in his new role at the AIA? I hope so.

Already, some from the collecting and trade community seem concerned about Harrison Ford's new role at the AIA. Two prominent members of the Ancient Coin Collectors Guild (ACCG), a lobby of ancient coin dealers and collectors that I and others have discussed elsewhere (relevant posts at SAFECORNER and Looting Matters), have expressed fear that Ford will help raise public awareness on looting and the trade in antiquities. Jim McGarigle, an ancient coin dealer who lobbied Republican Congressmen in Wisconsin, on behalf of the ACCG, to put "collectors rights" on the state's Republican party platform, apparently with no concern regarding the source or nature of collected material, recently stated on the Unidroit List:

"I predicted something like this would occur over a year ago [Ford's appointment]. Be ready for the AIA to pull out the big guns on collecting with an easy celebrity reference where they can put on the 'White Fedora' and try to place the black one atop the heads of ancient and world coin collectors.

...

Maybe it's time to start writing scripts about a heroic ancient numismatist [dealer/collector] who beats up the bad guys, saves the world and gets the girl or an antiquity collector who solves a murder every week."

Peter Tompa, the ACCG's current president, recently blogged about Ford's support of the State Department and WildAid against wildlife trafficking and expressed concern that he would also help the AIA in its efforts to raise awareness on antiquities trafficking:

"I also have to wonder if Harrison Ford and the State Department are also working on PSAs that will expose the evils of collecting 'illicit cultural property' now that Ford has joined the AIA board."
Like many people, I am sure Harrison Ford has an interest in archaeology and ancient history and I am delighted he is so enthusiastic about it that he decided to become an active part of the leading professional organization for archaeologists. I am anxious to see in what capacity Mr. Ford will be working with the AIA and wish him the best in his exciting new position.

Sphere: Related Content

Thursday, June 5, 2008

"Indiana Jones is a plunderer." What do you think?



Dr. Oscar Muscarella, outspoken critic of the antiquities trade and the plunder of artifacts from archaeological sites, sent us the following:

"Brian Rose has stated that the movie character Indiana Jones 'has played a significant role in stimulating the public's interest in archaeological exploration,' ...{but] Jones is the very antithesis of an archaeologist. In fact, he has played a significant role in stimulating the destroyers of sites, the plunderers who supply 'antiquities' to a museum.

Indeed, let me say loud and clear: the AIA President has made a serious and very unfortunate blunder. He has publicly proclaimed that he has no idea what archaeology is, what it is not, and he has thereby compromised the AIA and its membership, which includes me, and thousands of others."

Dr. Muscarella leads SAFE Tours at the Metropolitan Museum of Art in New York.

Tell us what YOU think.

Sphere: Related Content