Saturday, August 28, 2010

Colin Renfrew asks: What about ongoing looting?

Professor Colin Renfrew, 2009 SAFE Beacon Award Winner voiced his concerns that the problems of ongoing looting of archaeological sites around the world were not addressed in the lecture Looted art and its restitution: moral and cultural dilemmas for the twenty-first century, given by Professor Richard J Evans on Monday 7 June 2010 at Wolfson College, Cambridge. Professor Renfrew also spoke about the fact that although repatriation of looted antiquities from Iraq were mentioned, no reference was made about “the Metropolitan Museum’s being constrained to return antiquities to Italy, which had been illegally removed… in recent times.” (View video clip here. © Wolfson College, Cambridge)

Professor Evans focused on historical looting giving examples dating back to Jason and the Argonauts, and issues related to repatriation and restitution of Nazi art loot. Also brought up was contentious topic of the Parthenon sculptures, more commonly (but some believe, misguidedly) known as the "Elgin marbles" and whether they should be returned was the first question from the audience. Professor Evans will become Wolfson College’s fifth president in October, 2010.

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Wednesday, August 25, 2010

SAFE Beacon Awards: Who is...? but why?

In anticipation of our Beacon Awards event, SAFE has launched a new batch of Who is...? campaigns, which profile individuals making tangible contributions towards our mission: protecting and raising awareness about our shared cultural heritage.

But we realize that our "Who is...?" begs another question: Why?

The easy answer is that superheroes like our SAFE Beacon Award winners deserve recognition for their incredible work.

The more complicated answer is that our award winners, well, are not superheroes. SAFE is not handing out awards to the likes of Lara Croft or Indiana Jones for making us endlessly answer to their portrayals of archaeologists (or archaeology's worst nightmares?). Instead we are honoring unsung heroes with real lives, families, careers, principles, and motivations behind them.

Certainly, fictional heroes can lend a welcome cloak of sexiness to a sometimes-unsexy field. And they can be inspiring. Christopher Heaney, a former SAFE volunteer, devoted the first few pages of his excellent debut book, Cradle of Gold, to Indy and the iconic big screen moments that first sparked his interest in archaeology.


Heaney even calls the subject of his work, Hiram Bingham, a "Real-Life Indiana Jones," and for good reason, too. Bingham was an academic and explorer of the early 20th century, equipped with a pith helmet and a gun.

He made major contributions to the growing field of Latin American studies and worked his way through the Peruvian Andes to rediscover the most famous lost city of the Incas -- Machu Picchu. Bingham's questionable archaeological practices, however, fueled the emotional debate over Yale's collection of Pre-Columbian artifacts.

So how many more "Real-Life Indiana Jonses" do we need today? Some of our Beacon Award winners have found themselves working undercover with smugglers in Peru, and all have taken enormous risks, at times, putting their careers and lives on the line. But their boulder chases and snake pits sometimes look more like pesky bureaucrats and thousands of pages of federal code.

We congratulate Robert K. Wittman, Robert E. Goldman, James E. McAndrew, and David Hall -- our 2010 SAFE Beacon Award Winners. We hope you'll keep checking our website to find out who they really are, and that you'll join us at our awards ceremony on October 29th!

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Monday, August 23, 2010

Finders Keepers v. Finders Keepers

Two weeks ago, a forthcoming TV series with the working title "Finders Keepers" announced a call for backyards. Tomorrow, desert ecologist and writer Craig Childs will release his new book of the same name -- no relation.

"Finders Keepers," the TV show, one-ups programs like "Antiques Roadshow" and "Pawn Stars." Not only are the producers interested in objects collecting dust in attics, but they also promise to uncover historic valuables that participants never knew they had.

The producers are looking for Americans who have "found or dug up an antique, artifact or relic" or "think they have an important and valuable artifact buried on their property or at a site they have discovered." Allegedly, their team of archaeologists will then excavate and appraise, but thus far, it is unclear who the keepers will be.

Meanwhile, in Finders Keepers: A Tale of Archaeological Plunder and Obsession, Craig Childs inserts himself into the polarizing debate over who owns the past-- a topic he has previously discussed. He recounts his own dilemmas over artifacts and ownership, and confronts his desires to open ancient doors, to pick up arrowheads, and to get closer, through possession, to the Native American past that he studies.

Those desires are ultimately trumped by Childs' view that the integrity of objects is best preserved in their natural environment, left untouched by "pothunter" and archaeologist alike. Childs, as Paul Barford rightly pointed out last year, seems to believe the past belongs to no one. In Finders Keepers, he even claims to have freed an ancient pot from a glass case in an anonymous building to return it to the desert, though a reviewer from the L.A. Times says Childs "did not feel entirely good about that."

At the heart of both Finders Keepers is a lust for uncovering the past in a physical way, but Childs endorses a suppression of that impulse, and the TV show encourages a full exploitation of it, which certainly raises several questions from the middle ground.

Image: Regan Choi/Little, Brown & Co.

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Thursday, August 19, 2010

Italy's Financial Police Recognized for Cultural Heritage Protection

Those responsible for protecting Italy's cultural heritage have once again been given center stage in Rome this summer - this time in the form of an exhibition honoring the efforts of the Guardia di Finanza, Italy's Financial Police.

The celebratory exhibit, entitled "Dal sepolcro al museo. Storie di saccheggi e recuperi" ("From the grave to the museum. Stories of pillage and recoveries") will be housed in the Vittoriano complex at Piazza Venezia through 12 September 2010. The Sala Gipsoteca has been filled with remarkable pieces recovered by the Guardia di Finanza's Division for the Protection of Archaeological Patrimony.

The exhibit includes numerous treasures which were put at serious risk by looters but recovered before leaving Italy. Perhaps the highlight of the exhibit is a 1.55 x 1.60 meter marble relief of Mithras killing a bull, originally from the archaeological park at Veio and recovered by the Guardia di Finanza in March 2009 just before its intended export to Asia through a channel in the United Arab Emirates. The piece was then brought to the Villa Giulia in Rome and the scheme resulted in four prosecutions in Italy.

The Guardia di Finanza's Division for the Protection of Archaeological Patrimony, though perhaps not as well-known as the National Police's Art Squad (Comando Carabinieri per la Tutela Patrimonio Culturale), is a key player in the prevention of illicit trafficking of cultural material because of its role in enforcing tax law, which is inevitably disobeyed in illicit export.

Statistics given at the exhibition state that, in 2008-2009, recoveries by the Guardia di Finanza included 11,258 archaeological pieces and 416 paintings. 136,783 forgeries were confiscated and 294 people were charged with criminal violations, a 50% increase from the previous 2-year period.

Just last year, Castel Sant'Angelo hosted a similar exhibition celebrating the 40th birthday of the Carabinieri's Division for Cultural Heritage Protection.

Italy's support for the law enforcement bodies that combat the illicit antiquities trade is commendable. SAFE would like to recognize individuals in U.S. law enforcement who have dedicated themselves towards the protection of cultural heritage. To celebrate their success, this year's SAFE Beacon Awards will be given to Robert E. Goldman, David Hall, James E. McAndrew, and Robert K. Wittman. With these selections, SAFE aims to honor the defenders of the laws that protect our cultural heritage.

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Thursday, August 12, 2010

Donny George: "The truth about the Kuwait Antiquities"

The following is published at the request of its author, Dr. Donny George:

Dear All,
since the first gulf war of 1991 everybody's been accusing the Iraqis of steeling the Kuwait's antiquities, and no one has asked the Iraqis for their opinion about it. I was reserving this to be included in a book I started writing, but let me explain this Kuwaiti mater in some details.

Prior to the first gulf war we had done the preparations to evacuate the antiquities from the Iraq museum, since the war was coming no matter what was said in the daily news inside Iraq, then we got the orders from the ministry of culture, to go and insure the evacuation of the Kuwait museum, exactly as we did for the Iraq museum, we had no orders to check the private collections, that was not our job, and before we did so the director general of Iraqi antiquities informed the UNESCO, that according to Hague convention of 1954, Iraq was going to do it's duties to evacuate the official Kuwait museums, because they were in an area of expected armed conflict, and for that we started the evacuation, before that I myself made a video film for the two museums, the Kuwait national museum, and Dar al-Athar Al-Ilamia, later on we sent a copy of that film to the Kuwaiti authorities through the UN representative, then we started packing and transporting all what we could to Baghdad, then distributing the material in Iraq for safe keeping.

After the end of the war, and the UN resolutions to return everything back to Kuwait, we had the first meeting with representative of the UN security counsel, he officially presented a list of (2500) items demanded by the Kuwaiti side to be returned to Kuwait, we all, the Iraqi side were surprised for that small number of the demanded items, we said what we have is much more than that, and I handed the UN representative two volumes for over (25 000) twenty five thousands items that we had, because every thing was completely documented in a professional manner before any thing left the Kuwait museums . The representative was surprised after he saw the complete lists, and aske to end the meeting that day, so that he will go back to the security counsel in order to have a special resolution for the antiquities to be handed over according to the Iraqi lists and not according to the Kuwaiti ones, and this was what happened
The Iraq museum at that time was not on display and was closed, and of course no Kuwaiti antiquities were displayed there for sure, but the Kuwaiti material was finally collected there for handing over.



When the handing over started, it took place in some of the Iraq museum galleries, no Kuwaiti people were there, but the representatives of the UN, the Kuwaiti side was represented by a British lady, Ms.Marsh, an American gentleman , and an Indian gentleman, every item was handed over from the Iraqi representatives to the UN people, registered in lists by computers, then handed over to the Kuwaiti side then they handed things to the packing company, all done in the Iraq museum, all with the protection of the museum guards.

After everything was taken from Iraq, for several times we had some questions about some missing items from the Kuwaiti side through the UN, and when we would go back to our copy of the handing over lists, we would find what they were asking for, so we would tell them that that item is listed in Number so and so in the list number so and so , then there were no claims in this regard.
Special Notes:

1. we knew nothing about private collections in Kuwait, therefore we were not involved with them, our concentration was only on the official museums.

2. When the handing over was finished, the head of the Kuwaiti side, Ms. Marsh, invited the Iraqi side representatives for a dinner reception in a fine Baghdad restaurant, Khan Marjan, I asked Ms. Marsh whether that was her idea, but she told me that she could not do such a thing without the Kuwaiti approval, and also mentioned, that there will come a time the Kuwaitis will thank you all personally for what you have done for these antiquities.

3. Everybody should know that only the Kuwait National museum contained Kuwaiti antiquities, the other museum was dedicated for Islamic art, and all its material was purchased from the markets all over the world, including material from the site of Samarra in Iraq.

4. after all that we see from time to time articles, especially in the Guardian, going back to the same subject, where such kinds of claims are mentioned, while I am sure the Kuwaitis themselves know that this is not the whole truth, but it is used for political matters only, including an article that was interviewing Ms. Marsh herself, and was given the title of, the lioness of Baghdad, and again in the Guardian, were she was describing her struggle with Iraqis, to extract every single item from them under the weapons of solders !!!! (the museum guards).

5. this is my information about this subject, and it is my responsibility to tell it to the world, the museum, archaeological community all over the world, and it is my responsibility in front of my God, that this is the whole truth, and whatever is said about this subject that does not include these facts, is all lays and false accusations, these people should be ashamed of themselves.

Donny George

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Friday, August 6, 2010

New Ambassador to Iraq Confirmed -- No Help for Iraq's Endangered Archaeological Sites Likely

The Senate has just confirmed James Jeffrey as the new ambassador to Iraq. As part of the confirmation process, Jeffrey was posed a few questions in writing about the State Department's policies regarding the protection of archaeological sites...

To read the full post, go to The Punching Bag.

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Thursday, August 5, 2010

“Cultural heritage is a necessity..."

Diana Gregor's article in MediaGlobal "Protecting cultural heritage as development priority" underscores the importance of preserving cultural heritage worldwide.

The piece begins with the disaster in Haiti and quotes UNESCO Programme Specialist for Culture in Port au Prince Elke Selter on cultural preservation as a priority, “Cultural heritage is a necessity, it is your past. You cannot just leave a country to lose its history. One needs the past in order to move on to one’s future and therefore you cannot cut off people’s roots. Haiti has a history with very important moments.” (Please see SAFE's January 23 response
Rebuilding Haiti: Look to the past and our call for images of Haiti's cultural heritage in our Flickr project Haiti: Look back to look ahead.)

Citing examples around the globe, the article speaks about the various threats to cultural heritage including natural disaster and armed conflicts and, most pertinent to SAFE's mission, the destruction of archaeological sites and looting. Gregor ends with the important and positive message that "cultural property can provide opportunities for tourism and development."

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